By Stephanie Bond
The robbery of an notorious piece of bijou supplies upward thrust to a serial killer.... Carlotta Wren is excited to be again to paintings and in the course of a major exposure occasion for a celebrity’s new line of attraction bracelets. while the development is going sideways, Carlotta thinks a humiliating photo of her is the worst factor to come back out of it...until our bodies begin surfacing with charms of their mouths. To make concerns worse, a member of the Wren relations is hooked up to each homicide. whilst clues begin pointing to her long-lost father because the Charmed Killer, Carlotta begins to think again every thing she believes... “Nonstop motion from the 1st page.” —Fresh Fiction four stars! “As humorous and fascinating as its predecessors within the physique Movers sequence, it is a fast paced, impeccably plotted tale that’s certain to please.” —Romantic occasions ebook reports provided the top evaluation ranking attainable! “4 our bodies and a Funeral combines fast-paced secret with highly spiced romance. it's a desirable tale.” —A Romance assessment
Read Online or Download 4 Bodies and a Funeral (Body Movers, Book 4) PDF
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Extra info for 4 Bodies and a Funeral (Body Movers, Book 4)
Fact is, his emphasis on the word “brother” made me wonder if it might not be a woman. Voice changers could easily be set to mask gender. They were computers, after all, so Eve studied them in grad school when we lived together in New York. They could make inexperienced users sound like deep-voiced, slow-talking drones or fast-talking chipmunks. This caller was all over the map. Dante placed his hand on his heart, like he’d protect me, and he meant it, but unless Wrath Vader stepped foot in my shop—which I so did not want—I was on my own.
They were computers, after all, so Eve studied them in grad school when we lived together in New York. They could make inexperienced users sound like deep-voiced, slow-talking drones or fast-talking chipmunks. This caller was all over the map. Dante placed his hand on his heart, like he’d protect me, and he meant it, but unless Wrath Vader stepped foot in my shop—which I so did not want—I was on my own. Well. Not entirely on my own. I could call Detective Werner. Yeah, that Werner. The one I slept with.
I hung the items to be altered in my work corner, boxed in by several antique sewing machines and a few of today’s finest technical wonders that did everything but wear the clothes. Back downstairs in my sales area, I switched out winter purses for summer box bags in straws, metallics, Bakelite, and Lucite, and showcased their funky shapes: rectangle, trapezoid, beehive, hatbox, lunch box, not to mention the fifties icon: the sleek single- clasp, rectangular box clutch, a purse known to endow its owner with ladylike behavior.